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The Sermon of All Creation: Christians on Nature
Insights into the early Christian Desert Fathers and Mothers
What is the Sun Dance Religion? Video Presentation
The Sacred Worlds Series
Science and the Myth of Progress
Light on the Ancient Worlds: A Brief Survey of the Book by Frithjof Schuon
Every Branch In Me: Who are we as "human" beings?
Books about Buddhism
Memories (video clips) of Martin Lings by Michon and Petitpierre
Paul Goble's World: Native Americans' relationship to all created beings
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  Frithjof Schuon's interest in the Plains Indians Back to the List of Slideshows
    
slide 3 of 4

This is taken from a transcript of a 1995 interview with the eminent
Perennialist thinker and writer Frithjof Schuon (1907-1998).

Question: Your art books The Feathered Sun and especially Images of Primordial and Mystic Beauty deal with the mystery of sacred nudity. Could you explain in a few words the meaning of this perspective?

Frithjof Schuon: Sacred nudity—which plays an important role not only with the Hindus but also with the Red Indians—is based on the analogical correspondence between the “outmost” and the “inmost”: the body is then seen as the “heart exteriorized,” and the heart for its part “absorbs” as it were the bodily projection; “extremes meet.” It is said, in India, that nudity favors the irradiation of spiritual influences; and also that feminine nudity in particular manifests Lakshmi and consequently has a beneficial effect on the surroundings. In an altogether general way, nudity expresses—and virtually actualizes—a return to the essence, the origin, the archetype, thus to the celestial state: “And it is for this that, naked, I dance,” as Lalla Yogishvari, the great Kashmiri saint, said after having found the Divine Self in her heart.

Frithjof Schuon's response to this question is continued on the next slide.


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