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Noble Faces, Strong Voices: Exploring "The Spirit of Indian Women"
The Writings of Frithjof Schuon
Paul Goble's World: Native Americans' relationship to all created beings
What is Sacred Art?
Treasures of the World's Religions
Spiritual Masters - East & West Series
Who was Charles Eastman (Ohiyesa)?
What are the "Foundations of Christian Art?"
Books about Buddhism
Interview with Frithjof Schuon - on Art
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  Science and the Myth of Progress Back to the List of Slideshows
    
slide 4 of 16

René Guénon’s essay points out that modern science sets itself up as the only valid worldview and denies the existence of that which is beyond its competence:
The modern conception…claims to make the sciences independent by repudiating everything that transcends them, or at least by declaring it “unknowable” and refusing to take it into account, which amounts to ignoring it in practice; this negation existed as a fact for a long time before people thought of erecting it into a systematic theory under such names as “positivism” and “agnosticism,” for it may truly be said to lie at the root of modern science as a whole. It is only in the nineteenth century, however, that one finds men glorying in their ignorance (since to call oneself an “agnostic” amounts to nothing else), and claiming to deny others all knowledge of the things they themselves are ignorant of, and that stage marked a further step in the intellectual decline of the West.

René Guénon as a young man
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