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Every Branch In Me: Who are we as "human" beings?
Books on Hinduism
Interview with Frithjof Schuon - on Spirituality
Interview with Frithjof Schuon - on Art
William C. Chittick explores "The Sufi Doctrine of Rumi"
What bridges exist between Christianity and Islam?
Where to look to "see God Everywhere"?
Insights into the early Christian Desert Fathers and Mothers
The Universal Spirit of Islam: Keys for Interfaith Understanding
Paul Goble's World: Native Americans' relationship to all created beings
Slideshows
  Interview with Frithjof Schuon - on Art Back to the List of Slideshows
    
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This is taken from a transcript of a 1995 interview with the eminent
Perennialist thinker and writer Frithjof Schuon (1907-1998).

Question: With beauty, there is what one might call an ambiguous element, since it can be conducive to a worldly self inflatedness or on the contrary to a remembrance of the Divine. What is it about certain arts—music, poetry and dance, for example—that makes the ambiguous element more pronounced in them?

Frithjof Schuon: Painting and sculpture are in a way more cerebral and objective than poetry, music and dance, which are more psychic and subjective; therefore the ambiguous element is more pronounced in these three arts.
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